<limone-> ok.. when i came back i went back to work
<denny> well we are mature people now..we have to deal with that reality
<limone-> better to be a drug addicted
<denny> )
<denny> honestly…i do not agree
<limone-> maybe it’s because you don’t want to share

A straight line could be even a circle
from an higher point of view.
Sometimes i should think more that I trust
in a world in which I can square a circle.
That’s a perfusion, a stop in a expansion process.
And when measures says we’re growing, year by year
all I can see is just everything else.
It is not the kind of something more i’m looking for.
While i’m drinking, things are bluring.
Places aren’t an arrival. Couldn’t be.
Still i feel being nowhere without a map.
Maybe
I should find a limit and choose what i want to pick.
Freezing an evolutionary environment.
Looking at in a good way. And sleep tonight.

We are standing here, Exposing ourselves, We’re being watched, and we feel our pulse, We look around and change our pose, We start to move, And we break the glass, We step out, And take a walk through the city, We go into a club, And there we start to dance.

Europe endless, Parks, hotels and palaces, Europe endless, Parks, hotels and palaces, Europe endless, Promenades and avenues, Real life and postcard views

Elegance and decadence

il commento del fotografo:
<PsYkO> non so se sei stato bravo tu a fare l’espressione del manichino o se il manichino s’è adattato alla situazione

altre annotazioni:
corso pienissimo e decine di passanti che si sono ammazzati dal ridere

<mirka> do you think that dogs are all over the world the same?
<limone> no, i think if a dog goes abroad it became arrogant
<mirka> i was not thinking about sending my dog to italy
<limone> so… why do you want my dog?
<mirka > do i?
<limone > ok, you are inoffensive

Daiva 22:30
so what is new in somebodys’ life?

limone 22:33
maybe football matches
but I’m not interested in anymore
so… nothing

Daiva 22:35
there has to be something. at least some nice small thing.

limone 22:36
an unexpected love for the trashcan

Daiva 22:37
is she really so bad???

limone 22:37
ahhahahahaha

Daiva 22:38
hahahahaha

limone 22:38
come on you are so old… you are still thinking about love as something related to a person-to-person relation
this is a concept from ‘900
now we are in 2007

Daiva 22:40
yeah, probably i am old! but now i start thinking and maybe you are right.
i also have a love.
unexpected.

limone 22:40
tell me

Daiva 22:40
promise that you will take serious my passion

limone 22:41
who is more serious than me?

Daiva 22:42
well… probably nobody. so here i go:
i am in love
with
a big chocolate 3 years old rabit without head already.

limone 22:44
are you talking of uneatable chocolate or a decapitated rabbit?
I can’t understand

Daiva 22:46
it is totally eatable chocolate rabit from Eastern time. 3 years ago.
first i ate a head
then i felt sorry for him
and kind of love

limone 22:46
ahhahahahahahaha

Daiva 22:46
and i stopped eating
and now i think this passion will be over
but it is too old to finnish eating.
my life is cruel.

limone 22:47
give love a chance
I support you

Daiva 22:47
thank you. maybe we just need some time
i mean me and a rabit

limone 22:48
of course you need

Daiva 22:49
what else do i need to have my great love? help me.

limone 22:51
you should know that a chocolate rabbit without head can express a sweet foolish love

I asked to a policeman while he was supervising the workers painting some parking lots, “don’t you think there are too few free parking places in this city” and he put his hand on my left shoulder and replied “welcome to the public administration, you should ask to…”.

I asked for an opinion and he replied about a matter of responsability. If you have ever heard about the motto free your mind, this is very descriptive of most of the public administration jobs. You don’t have to think, you could but you are not paid for, so there’s no reason.
The guiltiness often is on the extremes: if you ask to the operators the blame is on the leader vice versa if you ask to the leader, is on the operators. If it’s not, the guiltness is far away or so well distribuited that it could disappear.

Yes, the guiltiness in the public administration is a ghost. The real problem is that this gosth is the worker’s savior. People act that way because they can share their responsability.
People of goodwill that try to denounce this, focusing on the guiltiness, spoiling energies in a no-return labyrinth. I advice you not to do this, don’t misspend your time.

If you really want instead, try to ask What do you think? What do you do? If the answer of the first question is not Nothing (very probable) don’t be surprise that the two answer are incoherent and opposite: I think it’s not fair but I do.

Public service: Never express your opinion, never let your mind be part of the process, just do it and free your mind.

Musically speaking, there couldn’t be nothing worse than being unsatisfied of the music proposals of the common casting channels, expecially when you don’t define your favorites genres and you are a silent ear for every cruising sound. It’s a continuous reaserch that gets harder and harder, it’s like being a long time drug addicted. In one definition: the dark side of the knowledge.

At the beginning the way is easy, because you can rise backward the music path of the classics, of the past, where you can discover so much quality stocks of songs that you almost refuse the present. You can’t look at this behaviour like a stereotype but it’s an unavoidable intermediate point of an expert listener. And one day when the unlistened music doesn’t represent such a previous oodles you become an underground, like the kind of music you are looking for.

The newness and the elite charateristic fills the lack. The underground music is free, it doesn’t follow the rules, at least untill it doesn’t need money, and gives you the first appealing taste of the research. Every subsequent stage is a new mood, a new way of thinking and maybe a new life.

Experience creates the mature selective listener, as a positive acceptation compared to a “young” selective listener. What you are looking for is basicly not to get entertained but to get wondered. This is the time when you understand that you don’t have to search the songs but an artist, not cause his production but as a person in which you could trust. The definition seems weird but it’s like an experimental listener.

In this stage the you dare, with the maximum risk to get extremely bored but sometimes you find the unexpectable, like a classic piano composer live playing with a electronic dj, and it’s a restless emotion that makes you feel luckyly loosed by the mainstream.